Chapter 15
The Scientist's Muse
Dr. Thorne's aversion to poetry is revealed to be a deep-seated phobia, stemming from a childhood incident. He sees poetry as chaos.
The sterile hum of the laboratory was a stark contrast to the vibrant, chaotic energy Kira now felt thrumming beneath her skin. It was a disquieting symphony, this place where her parents, the very architects of her existence, were held captive. Dr. Aris Thorne, a man whose name now echoed with a chilling resonance, was the conductor of this macabre orchestra. He had stolen them, not for their knowledge of advanced temporal mechanics, though that was certainly a part of it, but for something far more peculiar, something Kira was only beginning to grasp.
“Poetry,” Thorne had scoffed, his voice like shards of ice against glass, when Kira had dared to utter the word in his presence, a desperate gambit born from the riddles her mother had left behind. “A nonsensical jumble of illogic and sentiment. A waste of precious cognitive resources.”
His disdain was palpable, a physical force that seemed to warp the very air around him. It was more than mere dislike; it was a visceral aversion, a shudder that ran through him at the mere suggestion of rhyme or meter. Leo, ever the pragmatist, had theorized it was a psychological defense mechanism, a way to compartmentalize and control. Maya, with her uncanny knack for human nuance, had suggested a deep-seated trauma. Kira, however, felt it was something more elemental, a fundamental incompatibility with the very essence of what poetry represented.
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